{"id":2579,"date":"2016-05-18T13:40:57","date_gmt":"2016-05-18T12:40:57","guid":{"rendered":"http:\/\/2t3mdanse.fr\/?page_id=2579"},"modified":"2017-01-31T15:40:07","modified_gmt":"2017-01-31T14:40:07","slug":"silencesobliges","status":"publish","type":"page","link":"http:\/\/2t3mdanse.fr\/index.php\/silencesobliges\/","title":{"rendered":"Les Silences Oblig\u00e9s"},"content":{"rendered":"<section  class=\"content-section full-width with-col cover custom-padding no-margin    content-section-69f1fb0b5887a\"><div class=\"row vc_row-fluid\"><div class=\"wpb_column col-md-12\"><section  class=\"content-section full-width with-col cover no-padding no-margin    content-section-69f1fb0b58941\"><div class=\"row vc_row-fluid\"><div class=\"wpb_column col-md-3\"><blockquote class=\"mb-0 \" ><p >Cette pi\u00e8ce qui danse l\u2019exil, raconte l\u2019errance entre un ici et un ailleurs et nous livre en chemin, une ode \u00e0 nos racines<\/p><\/blockquote><\/div><div class=\"wpb_column col-md-9\"><div class=\"section-text text-block \" ><p>Nabil Hema\u00efzia nous livre un conte \u00e0 la fois intime et universel. Dans cette pi\u00e8ce qui aborde la question de l\u2019exil, le corps, charg\u00e9 du silence pudique des g\u00e9n\u00e9rations pass\u00e9es, tente de dire l\u2019indicible et de le partager. Nous voici donc en chemin aux c\u00f4t\u00e9s d\u2019un personnage qui laisse un\u00a0ici derri\u00e8re lui pour un ailleurs fantasm\u00e9. Sa danse porte les blessures intimes et collectives et met en mouvement nos m\u00e9moires pour tenter de tisser du lien avec les h\u00e9ritiers de nos consciences. Une errance comme une ode \u00e0 nos racines, violente et po\u00e9tique.<\/p>\n<\/div><\/div><\/div><\/section><\/div><\/div><\/section><section  class=\"content-section full-width with-col cover custom-padding no-margin    content-section-69f1fb0b58a57\"><div class=\"row vc_row-fluid\"><div class=\"wpb_column col-md-6\"><h2  class=\"section-title mb-70 mb-sm-40 font-alt align-left\" style=\"color:#ea4600;margin-bottom:15px;\">DISTRIBUTION<\/h2><div class=\"section-text text-block \" ><p>Direction artistique et chor\u00e9graphie\u00a0 <strong><em>Nabil Hema\u00efzia<\/em><br \/>\n<\/strong>Danseurs interpr\u00e8tes\u00a0<strong><em>Nacim Battou et Nabil Hema\u00efzia<\/em><br \/>\n<\/strong>Cr\u00e9ation lumi\u00e8re\u00a0<strong> <em>Denis Rateau<\/em><br \/>\n<\/strong>Construction d\u00e9cor\u00a0<strong><em>Christophe Beyler<\/em><br \/>\n<\/strong>Sc\u00e9nographie et arrangements musicaux\u00a0 <strong><em>Nabil Hema\u00efzia<\/em><br \/>\n<\/strong>Audiodescription\u00a0<strong><em>Acc\u00e8s Culture<\/em><\/strong><\/p>\n<\/div><div  class=\"mb-10\"><a href=\"http:\/\/2t3mdanse.fr\/wp-content\/uploads\/2017\/01\/Dossier-LSO-janv2017.pdf\" title=\"button\" target=\"_blank\" class=\"btn btn-custom-69f1fb0b58c70 btn-mod  btn-small btn-solid btn-round\"><i class=\"fa fa-play-circle\"><\/i> Dossier - Fran\u00e7ais<\/a><\/div><div  class=\"mb-10\"><a href=\"http:\/\/2t3mdanse.fr\/wp-content\/uploads\/2017\/01\/File-ObligatorySilences.pdf\" title=\"button\" target=\"_blank\" class=\"btn btn-custom-69f1fb0b58c90 btn-mod  btn-small btn-solid btn-round\"><i class=\"fa fa-play-circle\"><\/i> File - English <\/a><\/div><\/div><div class=\"wpb_column col-md-6\"><h2  class=\"section-title mb-70 mb-sm-40 font-alt align-left\" style=\"color:#ea4600;margin-bottom:15px;\">PARTENAIRES<\/h2><div class=\"section-text text-block \" ><p><em>Production\u00a0<\/em>Cie 2 Temps 3 Mouvements et Da Storm<br \/>\n<em>Coproductions\u00a0<\/em>Th\u00e9\u00e2tre de N\u00eemes-Sc\u00e8ne conventionn\u00e9e pour la danse contemporaine, Th\u00e9\u00e2tre de la Genette Verte (Florac), La Maison de l\u2019Eau (All\u00e8gre-les-Fumades), et T.E.E.M &#8211; Territoire d\u2019\u00e9critures en mouvement (Quimper)<br \/>\nAvec le soutien du Crat\u00e8re, Sc\u00e8ne nationale d\u2019Al\u00e8sLa cr\u00e9ation b\u00e9n\u00e9ficie du soutien de la DRAC LR, de la r\u00e9gion PACA, du conseil d\u00e9partemental du Gard dans le cadre du dispositif \u00ab\u00a0Artiste au coll\u00e8ge\u00a0\u00bb et de la SPEDIDAM.<\/p>\n<\/div><\/div><\/div><\/section><section  class=\"content-section full-width with-col cover no-padding no-margin    content-section-69f1fb0b58d3a\"><div class=\"row vc_row-fluid\"><div class=\"wpb_column col-md-12\"><section  class=\"content-section full-width with-col cover no-padding no-margin    content-section-69f1fb0b58e9e\"><div class=\"row vc_row-fluid\"><div class=\"wpb_column col-md-12\"><h2  class=\"section-title mb-70 mb-sm-40 font-alt align-left\" style=\"color:#ea4600;margin-bottom:15px;\">MEDIATION ET AUDIODESCRIPTION<\/h2><div class=\"section-text text-block \" ><p>Autour du spectacle, un processus d&rsquo;accessibilit\u00e9 destin\u00e9 aux personnes aveugles et malvoyantes a \u00e9t\u00e9 mis en place sur une proposition de <a href=\"http:\/\/www.dastorm.fr\/#!blank\/mb2ar\" target=\"_blank\">l\u2019association Da Storm<\/a>. Plusieurs \u00e9tapes composent ce processus\u00a0:<br \/>\n1\/ Une rencontre avec le chor\u00e9graphe et l&rsquo;interpr\u00e8te<br \/>\n2\/ Des ateliers d&rsquo;initiation adapt\u00e9s en amont de la repr\u00e9sentation<br \/>\n3\/ La d\u00e9couverte tactile du plateau, des d\u00e9cors, des costumes et impr\u00e9gnation des ambiances lumi\u00e8res<br \/>\n5\/ La repr\u00e9sentation du spectacle <em>Les Silences Oblig\u00e9s<\/em> accompagn\u00e9e d&rsquo;un\u00a0casque dans lequel est diffus\u00e9e l&rsquo;audiodescription<br \/>\n6\/\u00a0 Un \u00e9change apr\u00e8s la repr\u00e9sentation<\/p>\n<p><strong>L&rsquo;audiodescription<\/strong><\/p>\n<p>Pour enrichir l\u2019\u00e9coute et nourrir l\u2019imagination des personnes d\u00e9ficientes visuelles qui per\u00e7oivent naturellement\u00a0des \u00e9l\u00e9ments sc\u00e9niques, le\u00a0service d\u2019audio-description consiste \u00e0 transmettre par casque des\u00a0informations sur\u00a0la mise en sc\u00e8ne, les intentions du chor\u00e9graphe, les d\u00e9placements, les attitudes des danseurs. Des programmes de salle en braille ou gros caract\u00e8res sont \u00e9galement offerts \u00e0 l\u2019accueil du spectacle. La version audio de ce texte est diffus\u00e9e dans le casque.\u00a0<em>Les Silences oblig\u00e9s<\/em> a \u00e9t\u00e9 audiod\u00e9crit par l&rsquo;association Acc\u00e8s Culture(Paris).<\/p>\n<\/div><\/div><\/div><\/section><\/div><div class=\"wpb_column col-md-12\"><h2  class=\"section-title mb-70 mb-sm-40 font-alt align-left\" style=\"color:#ea4600;margin-bottom:15px;\">Photos<\/h2><div class=\"row multi-columns-row\"><div  class=\"col-md-3 col-lg-3 col-sm-6 mb-md-10\"><div class=\"post-prev-img\"><a href=\"http:\/\/2t3mdanse.fr\/wp-content\/uploads\/2016\/05\/DSC01090-e1464166077608.jpg\" class=\"lightbox-gallery-2 mfp-image\"><img decoding=\"async\" src=\"http:\/\/2t3mdanse.fr\/wp-content\/uploads\/2016\/05\/DSC01090-720x463.jpg\" alt=\"\" \/><\/a><\/div><\/div><div  class=\"col-md-3 col-lg-3 col-sm-6 mb-md-10\"><div class=\"post-prev-img\"><a href=\"http:\/\/2t3mdanse.fr\/wp-content\/uploads\/2016\/05\/DSC01096-e1464166096748.jpg\" class=\"lightbox-gallery-2 mfp-image\"><img decoding=\"async\" src=\"http:\/\/2t3mdanse.fr\/wp-content\/uploads\/2016\/05\/DSC01096-720x463.jpg\" alt=\"\" \/><\/a><\/div><\/div><div  class=\"col-md-3 col-lg-3 col-sm-6 mb-md-10\"><div class=\"post-prev-img\"><a href=\"http:\/\/2t3mdanse.fr\/wp-content\/uploads\/2016\/05\/DSC01137-e1464166122356.jpg\" class=\"lightbox-gallery-2 mfp-image\"><img decoding=\"async\" src=\"http:\/\/2t3mdanse.fr\/wp-content\/uploads\/2016\/05\/DSC01137-720x463.jpg\" alt=\"\" \/><\/a><\/div><\/div><div  class=\"col-md-3 col-lg-3 col-sm-6 mb-md-10\"><div class=\"post-prev-img\"><a href=\"http:\/\/2t3mdanse.fr\/wp-content\/uploads\/2016\/05\/Visuel_LSO-e1464166131695.jpg\" class=\"lightbox-gallery-2 mfp-image\"><img decoding=\"async\" src=\"http:\/\/2t3mdanse.fr\/wp-content\/uploads\/2016\/05\/Visuel_LSO-720x463.jpg\" alt=\"\" \/><\/a><\/div><\/div><\/div><div class=\"section-text text-block \" ><p>Photo\u00a0\u00a9 Nabil Hema\u00efzia<\/p>\n<\/div><\/div><\/div><\/section><section  class=\"content-section full-width with-col cover custom-padding no-margin    content-section-69f1fb0b5a730\"><div class=\"row vc_row-fluid\"><div class=\"wpb_column col-md-8\"><h2  class=\"section-title mb-70 mb-sm-40 font-alt align-left\" style=\"color:#ea4600;margin-bottom:15px;\">Teaser<\/h2><div class=\"mb-xs-40\"><div  class=\"video\"><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/153736900?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\" width=\"1170\" height=\"658\" allowfullscreen><\/iframe><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Cette pi\u00e8ce qui danse l\u2019exil, raconte l\u2019errance entre un ici et un ailleurs et nous livre en chemin, une ode \u00e0 nos racinesNabil Hema\u00efzia nous livre un conte \u00e0 la fois intime et universel. Dans cette pi\u00e8ce qui aborde la question de l\u2019exil, le corps, charg\u00e9 du silence pudique des g\u00e9n\u00e9rations pass\u00e9es, tente de dire","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2579","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/2t3mdanse.fr\/index.php\/wp-json\/wp\/v2\/pages\/2579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/2t3mdanse.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2t3mdanse.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2t3mdanse.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2t3mdanse.fr\/index.php\/wp-json\/wp\/v2\/comments?post=2579"}],"version-history":[{"count":66,"href":"http:\/\/2t3mdanse.fr\/index.php\/wp-json\/wp\/v2\/pages\/2579\/revisions"}],"predecessor-version":[{"id":3391,"href":"http:\/\/2t3mdanse.fr\/index.php\/wp-json\/wp\/v2\/pages\/2579\/revisions\/3391"}],"wp:attachment":[{"href":"http:\/\/2t3mdanse.fr\/index.php\/wp-json\/wp\/v2\/media?parent=2579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}